everyone focuses on harry
but can we talk about
in remus’ face
for a minute
everyone focuses on harry
but can we talk about
in remus’ face
for a minute
Pacific Rim Bloopers
OH MY GOD BUT
I JUST REALIZED
THAT WASN’T CAS KILLING HUNDREDS OF DEANS IN SECLUSION
THAT WAS CAS
HEARING DEAN’S PRAYERS
AFTER EVERY FEW KILLINGS
I THOUGHT THIS EPISODE COULDN’T GET ANY MORE PAINFUL
I WAS WRONG
SATAN, I THOUGHT I TOLD YOU TO GET YOUR ASS TO BED!
wait so what if you pair this
"Cas, don’t, please!"
DID I SAY I WAS DONE HURTING YOU YET
sometimes i think my fandoms are complicated and then i go over to the star trek fandom and
Doctor Who star Peter Capaldi has revealed that there will be no flirting between the Doctor and his assistant Clara Oswald in the forthcoming series.
New Time Lord Capaldi, 56, has said that he was “adamant” that there will be “no Papa-Nicole moments”.
When asked about the age gap between himself and his 28-year-old co-star Jenna Coleman, Capaldi said: “They’ll be no flirting, that’s for sure. It’s not what this Doctor’s concerned with. It’s quite a fun relationship, but no, I did call and say, ‘I want no Papa-Nicole moments.’ I think there was a bit of tension with that at first but I was absolutely adamant.”
- (via thegestianpoet)
Humorous Movie Marquee Mash-Ups
OH MY GOD DO YOU NOT REALIZE THAT JOHN IS FUCKING MARRIED TO A WOMAN IN THE BOOK?!?!? IF THEY DON'T MAKE JOHN STRAIGHT, IT WILL BE A GREAT INJUSTICE DONE TO BOTH THE AUTHOR AND THE BOOKS.
Ah, hello, Person Of Immense Politeness. I suspect you’re here to talk about my OTP. Luckily for you, I’m in a good mood, so I’m going to go through this nice and rationally.
- Yes, as a matter of fact, I am aware of that. As it happens, I’m an English literature student, and have not only read all 4 novels and 56 short stories, but studied them in depth. I’m writing a series of essays on them at present, actually.
- Perhaps you’re unaware of other adaptations, so let me inform you that in The Private Life of Sherlock Holmes, Holmes is gay (see point 6), in Elementary, Watson is a woman, Moriarty is also Irene Adler and the series is set in New York, and in Basil the Great Mouse Detective, the characters are mice. Also, Sir Arthur Conan Doyle cared very little for Sherlock Holmes, and, despite claiming that ‘Holmes is as inhuman as a Babbage’s Calculating Machine, and just about as likely to fall in love’ in 1892, he later wrote a play, and when appealed to by William Gillette, who was to portray Holmes, for permission to alter his character, Doyle replied ‘You may marry him, murder him, or do anything you like to him.' HE DIDN’T CARE ABOUT HIS CHARACTERS BEING ALTERED.
- You are completely avoiding historical social context. In the Victorian era, MEN COULD NOT MARRY MEN AND WOMEN COULD NOT MARRY WOMEN. In fact, the Marriage Equality Bill was only passed in England THIS YEAR. Sir Arthur Conan Doyle’s close friend, Oscar Wilde, was sentenced to two years of hard labour which so severely damaged his health that he died 3 years later as punishment for ‘gross indecency’, i.e. homosexuality. Do you know what was used against him in court? The Picture of Dorian Gray - his novel - because it contained homoerotic subtext. Doyle wanted to portray Watson as a heart in contrast to Holmes’ head, and as such, he had to be romantic. HETEROROMANCE WAS THE ONLY OPTION IN THE ERA IN WHICH HE WAS WRITING.
- That said, the canon did contain plenty of homoerotic subtext (1 | 2 | 3 | 4 | 5 | 6) which queer theorists have been studying since its publication.
- MEN DON’T HAVE TO BE STRAIGHT TO MARRY WOMEN. Wilde was predominantly attracted to men (many consider him biromantic and homosexual), and he was married to a woman called Constance Lloyd. In the Victorian era, marriage was nowhere near so much based on love as it is today - it was about money, power, status, convenience, all kinds of things. Now, I do believe that Watson loved Mary Morstan (and that Wilde loved Constance Lloyd), but this context is important to recognise. In any case, biromantic/sexual and panromantic/sexual men marry women. That doesn’t make them unable to also feel love or attraction for men. John never says that he is straight, only that he isn’t gay (true) and isn’t Sherlock’s date (also true). That’s very open-ended phrasing that doesn’t rule out attraction to men/a man (and, in fact, series 3 creates plenty of space for a bisexual reading). In fact, even straight people are capable of finding themselves sexually and/or romantically attracted to a member of the same sex. The concept of exceptions to personal rules and the fluidity of sexuality was a key theme in A Scandal in Belgravia.
- The writers were influenced by The Private Life of Sherlock Holmes* (on which Mark Gatiss said: ‘The relationship between Sherlock and Watson is treated beautifully; Sherlock effectively falls in love with him in the film’ and on which the writer, Billy Wilder, said that he wished he’d had the ability to make Holmes unambiguously gay) and deliberately establish homoerotic and homoromantic subtext. In fact, at Anatomy of a Hit, they said that they regard all adaptations to be part of an ongoing canon, and draw as much influence from them as from the canon. For instance, A Scandal in Belgravia was much more closely based on The Private Life of Sherlock Holmes than A Scandal in Bohemia.
* more on this interview here
- On that note, I’m immensely amused that you are so scandalised by the concept of Holmes and Watson being written into a romantic relationship, yet have no issues with the fact that the stories have been translated into the 21st century (a decision which, at Anatomy of a Hit, the writers stated they felt automatically provided them with ‘license to be heretical’), that Irene Adler was portrayed as a lesbian dominatrix, that the meaning of ‘RACHE’ was inverted, that the Reichenbach Falls were exchanged for St. Bart’s Hospital, that Mary Morstan was portrayed as a contract killer and that Charles Augustus’ surname was changed from Milverton to Magnussen to account for his change of nationality from English to Danish and that he was portrayed as the head of a media corporation.
- It is possible to ship something in fanon without wanting it to become canon. There is also nothing wrong with wanting something that you enjoy to happen on screen and hence be more accessible to you, particularly if that thing would also be socially beneficial by providing positive representation to marginalised groups.
- Shipping makes me happy. Fandom makes me happy. Sherlock makes me happy. I think it extremely rude of you to come into my ask box under the cowardly guise of anonymity to try to take that happiness away from me (you failed completely, I might add), when it literally affects you in exactly 0 ways.
So, in conclusion:
Remus and Harry make me so sad. Think about the first time Harry met Remus, on the Hogwarts Express. Remus is staring at this teenager, this boy that is so painfully Lily and James’ son. In another life he would have been ‘Uncle Remus’, swinging by every Sunday for supper, babysitting Harry with Sirius. Instead he’s a complete stranger.
RIGHT IN THE HEART
That otp that calls each other by any other name but their first names
And then one of them gets hurt.
dean’s quick on his feet in a tough scenario